In the latest OLD NEWS roundup with Emily Colucci of Filthy Dreams, we start by revisiting our prior, charged exchanged about Louis CK, in which Emily was admittedly a bit of an apologist for him, which alienated some listeners- in this case, while we don’t land on the same page, we do air out our respective perspectives, and Emily dubs herself a contrarian. This leads to a brief discussion of the culture of heterodoxy, which promotes viewing issues from multiple angles as opposed to just your typical ideology; Emily’s interest in what she calls ‘the trash aesthetic,’ the pinnacle of which she explored by braving a late-October rally at Madison Square Garden featuring you-know-which-politician as the headliner, an event she ultimately describes as surprisingly boring; Emily’s own article (appearing in the Oct. 12th OLD NEWS), “GAGOSIAN-BRANDED STICKER MADE ME HATE NAN GOLDIN’S “YOU NEVER DID ANYTHING WRONG,’ in which she critiques Goldin’s exhibition at Gagosian through the highly distorted lens of being made to cover up her phone’s camera lens with a Gagosian-branded sticker; yet Emily still shares her admiration for Goldin, not only her art but also her activism, through P.A.I.N. as well as that related to A.I.D.S.

In the second half of our conversation, which is available to Patreon supporters, we also talk about: the legacy of the East Village writer and art critic Gary Indiana, who was an art critic (for the Village Voice and elsewhere) and wrote both fiction and non-fiction, and has been a huge influence on Emily; Indiana’s penchants for not holding back in his reviews, which led to our own discussion of how to approach reviews, particularly punching up, or at least laterally (as Emily has done) as opposed to punching down; Emily talks about how her platform, Filthy Dreams, is a passion project, one that she doesn’t want to be paid to do, so that she has absolutely no one to answer to- she sees at a hobby that she has fun doing, and she doesn’t want to deal with anyone who gets mad because she’s having fun; we do a quick round up of some of the OLD NEWS just for headlines; and then we talk about Ben Davis’s article about getting chills from seeing art, including a YouTube video by a French cinephile that ranks highest for providing chills; and we wrap things up talking about Libbie Mugrabi, who’s in a complex case around having her Warhol stolen, and has fought back with everything from putting up Wanted posters with her enemies to otherwise denigrating her antagonists.

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In our continued dissection of the OLD NEWS, Emily Colucci and I discuss:

Indicted former art advisor Lisa Schiff and her upcoming bankruptcy auction, to be conducted by Phillips; how Paul McCarthy is slowly throwing out his immense artwork, WS (White Snow), because he can’t store the work any longer, and how he failed to get any museums to buy the work, ultimately deciding to throw the work out piece by piece, which is, of course, logistically challenging (it takes up 4000 sq. ft of space and contains some very challenging- (read: yucky) ephemera); the art of Operation Under, a collective of artists who make wall paintings in underground tunnels throughout LA County, in one case the writer (Matt Stromberg of Hyperallergic) encounters racoons both in painted form as well as the in-real-life, glowing-eyes kind; how one museum took to pairing smells with a pre-Raphaelite artwork exhibition (including ‘dewy grass’), and how it led viewers to stay with the work a significantly longer period than traditional scent-less art viewing.

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The Conversation is doing an Open Call for future guests of the show (thru Oct. 10th)- if you’re interested in being a guest, please submit here: “The Conversation Art Podcast” – Guest Open Call (jotform.com)

In the latest round of OLD NEWS with former guest Emily Colucci (creator of the art & culture website Filthy Dreams), we cover: cancel culture through the lens of James Franco (who was part of our original recording back in 2016) and Louis C.K.; Cai Guo-Qiang’s botched fireworks performance at the Los Angeles Memorial Coliseum as part of PST Art’s ‘Science and Art’-themed mega-art event, including injured spectators;our own thoughts and feelings about fireworks, particularly of the neighborhood kind, and how Emily kind of loves the tacky spectacle of them; how California College of the Arts is considering closing its doors, and whether it’s surprising there aren’t more private art schools that are closing or on the verge of doing so; how and why the art market is struggling, and how Emily is frustrated that if nobody is selling anything anyway, why is everyone putting on boring shows?; how Emily tends not to interact with gallery-sitters/gallerinas, having been one herself (at Sikkema Jenkins) and just wanting the visitor to leave already; and our respective strategic approaches to gallery-hopping with an emphasis on efficiency and avoiding everything blurring together at the end of the day.

This podcast relies on listener support; please consider becoming a Patreon supporter of the podcast, for as little as $1/month, here: https://www.patreon.com/theconversationpod